Jazz Jackrabbit 2 Online

Pretty solid SP level. There are a few eyecandy issues but the level layout is good.

Tip: Use MLLE instead of JCS, it’s a better level making tool :)

An interesting mashup of different JJ2 tilesets, with some christmassy details mixed in like snowmen portraits, christmas trees, and ehh toilets. There’s not much open space, mostly horizontal pathways, and an optional route that gets you the extra coins necessary for the warp. Plenty of enemy diversity too, fitting for a mashup. I recommend it!

had fun playing this, and the story made me smile/chuckle, so kudos for that.

Well over a year after Faded Story, a new SP from Lynx is finally here! While it appears to be a pack, it’s more or less a single level accompanied by a prologue, a bossfight, an ending, and a weirdo bonus thingy.

Anyway, the opening scene is done pretty well and introduces a brief but funny storyline about a monster escaping, using old fashioned foreground tiles to display the dialog. It also introduces snowflakes that you can try to collect for completion. The flakes don’t appear to serve an additional purpose other than ‘doing it all’.

The actual level is mostly vanilla but does focus on several scripted elements. Antigravity can be activated and deactivated by touching arrow signs and is essential to navigate the level. Beer is a custom food item that leaves you stoned (err, drunk) for a few seconds. Apparently the Jackrabbits are not used to drinking alcohol at all.

Ammo is the usual with Bouncers and Toasters being the most prominent. Enemies are Turtles, Bats, Ravens, and Hatters. With each of them being placed thoughtfully enough to pose a bit of a challenge. Sometimes backtracking is required to switch gravity or to get a Trigger Crate that couldn’t be stomped earlier with antigravity on.

I don’t like the floor/ceiling spikes that much. In a flash, they are pretty hard to distinguish from nearby tiles and I often got hit by the sides where I didn’t expect the mask to be. That said, the short spinning spikeboll section was a highlight. Overall, playing on Hard the level still felt fairly easy for the seasoned player, as I completed it with all snowflakes and the coin warp in less than half an hour.

The boss is mostly a sprite swap of a vanilla boss that only adds a barrage of smoke rings coming out of its top. You will understand why once you play it. Not a lot more challenging than the original boss but funny nonetheless.

Clearing the ending level will take you to a little bonus. A tiny level that has you fighting and collecting laundry (sprite swapped enemies & food). While funny, I survived the onslaught for several minutes and couldn’t find a way to clear it. That’d mean there’s no formal way to end the level other than getting a gameover which registers your score.

Anyway, it’s a very accessible, relatively newbie friendly, mildly scripted level that I recommend to everyone. Not the most original, but plenty of thoughtful level design is there.

It’s a good conversion, it’s just that the recolored snow “grass” doesn’t look… right.

I never see a green HH98, you also put some new tiles. It’s perfect for a Hub World in Halloween Hare

Playing levels like this makes it clear the vocabulary we have for describing pieces of single player levels is incomplete. We say a level is linear, meaning there’s only one path from start to finish, or it has branching paths or is nonlinear/multilinear, if there’s at least one time when the path splits in two or more directions and one playthrough will see different areas than another playthrough. We talk about secrets, little hidden optional areas on the side of one path or another, which are usually dead-ends but occasionally loop back onto the path, maybe at the same spot, maybe not. But what about when they’re not hidden? What if those optional areas are not secrets but rather in plain sight, containing a few goodies just off the beaten road, maybe cordoned off by no more than a few destructible blocks?

Because, clearly, that’s the defining feature of this pack. Such alcoves(?) are everywhere here, to the point that the actual main path of each level can feel like little more a ride to get you to the next set of optional bits. Often the destructible blocks guarding the goodies are bound to specific weapons, such as RFs, but I never found myself hurting for ammo, so this read like theming, not like a potential punishment for attacking enemies too much. Other times there’s no such explicit marker that something is not the main path, so you try a few directions and eventually make some progress, if that’s the right word. Or there are places that do feel closer to traditional Secrets too, novel interpretations of windows or springs or whatever else for you to explore.

Regardless of how you find and enter them, though, the theme is clear: going directly from Point A to Point B is neither simple nor desirable, because there’s so much to see along the way.

Now, goodies in JJ2 always run the risk of not being entirely useful… gems in particular do absolutely nothing besides give you points, and ammo eventually stops making a difference if you’ve been hoarding it. With such a vast number of pickup hideaways, inevitably some of them are better than others, and oddly the reward does not always seem correlated with the difficulty of getting there. I remember a lengthy detour to reach a single blue gem, compared to a much quicker discovery of many blue gems at once. So perhaps in some cases the player needs to value the experience more than the actual reward.

I’m pleased to report that despite the vast range of direction options at almost every turn, I was usually able to find the exit without difficulty. The only time I had a real problem was toward the end of the lengthy Beach level, which requires you to fall down a random pit to find a trigger crate, then another pit to find what the crate did. That wasn’t great. But otherwise things kept seeming to work out, for me at least. I could imagine a version of these levels with more explicit transitions between stages, like in Rayman Origins or something, to make it clear when you’ve entered a new stage and can’t go back and get lost in the old one anymore, but I suppose (vanilla) JJ2’s tools are somewhat limited in that regard. Anyway, there are some neat tricks along the way, especially in the second Colon level, with its columns of manhole covers to be stomped.

In terms of traditional difficulty, this pack is not hard. There are not a whole lot of enemies and there’s plenty of ammo. Graphics too are plain and honestly sometimes kind of empty. Layout seems to have received by far the bulk of attention in designing this pack, resulting in a very unique experience, but if you’re mostly just looking for any other component of JJ2 levels here instead, you may be disappointed. But if you want to keep having more and more stuff thrown at you, from all angles, with lots of attention given to all the appropriate layout features for each tileset (sewers, water, vines, caterpillars, cheshires…) this is worth your download.

The faded story part 2 is here! Everyone!
btw, who scripted these?

Is this the Halloween Hare level pack?

[No it is not. ~PurpleJazz]

This is basically Diamondus, the Sepia edition. It’s not unpleasant, but I really wish it had some secondary color to break up the monotony. Note that this lacks any of the additional content/quality of life improvements found in other editions of this tileset, so you may as well just extract the palette using MLLE and apply it to one of those.

I played through this pack a number of times while testing it, as it gradually shed the details I found most onerous, so it kind of made sense to wait a while and give myself a comparatively fresh perspective before reviewing it. However, six months was perhaps too long. Oh well.

Reviewing big packs like this always forces the choice between writing separate minireviews for every level in a row vs. writing one big review that tries to encompass everything, and I am going to try to compromise a bit by listing the highlight of each level and letting that mostly stand in for a bigger picture review:

1. One of the cooler Rotating Rock segments I’ve played. Rocks almost always follow the template in the official Jungle levels: you get chased down a horizontal passage and eventually outrun it. Here you climb up the area first, not sure why it looks how it does, then the rock appears and you clamber back down again, faster than it, and let it land in a pit of spikes below. It’s hardly difficult, which makes it all the more appropriate for the very first level of an episode.
2. What’s special here is how different the entire level feels from the first one. Level 1 had mazes of tree branches, level 2 has lots of little platforms all across the face of a giant building. They both have indoor temple areas, but level 2’s are much more curvy and feature a bunch of traps and things. Already this episode is using its layouts to emphasize the unique features of each tileset, rather than treat them as interchangeable collections of textures.
3. The water pool area. This is probably a controversial choice, because there’s some clear copying and pasting here, reminiscent of some of the less popular parts of HH98 and TSF. But it’s a break in the middle of a level that’s otherwise dominated by tiny platforms and tougher enemies, and not only that, a break that’s only as long as players want it to be, because it can be skipped through entirely. Also there’s a powerup in one of the pools, because of course there is.
4. It’s a town! JJ2 levels (and platformer levels in general) are often illogical messes when viewed at a macro level, with structures only existing in individual places. A forest could easily be on top of a castle. Not so much here. The levels in this episode tend to have very distinct areas, one after another, with some semblance of internal continuity as well. Look at the file preview for this level, though, and you can see, yeah, there are a bunch of buildings with reasonable shapes, next to each other, with mazes drawn inside of them for the actual navigation. The constant straight line nature of these particular mazes is sometimes too obvious, but the flow of enemies and pickups keeps things fresh.
5. The variety of enemies (and pickups). Destroyable/collectible objects always do various jobs in levels besides their individual functions: they keep the player’s attention between platforming segments or other challenges, and they show where the player hasn’t been yet. Both those jobs are important here in a non-linear level, and what’s especially nice is how the enemies aren’t all super hard just because this is entering the second half of the episode. If anything, this level should be fairly easy, because dying in it necessarily loses the player so much progress. So it’s good that there are still fairly simple walking enemies, like cats, dotting the floors here in places that don’t offer much challenge but do make themselves useful in other ways.
6. The fireballs. This is an obvious pick as the level very much has exactly two prominent features (both inspired directly by the choice of tileset): the fireball sequences, and the maze of colored keys and locks. But I think what’s clever about the fireballs here is that every time they show up, the player has to dodge them in a slightly different way. Jumping, springs, springs between pairs of fireballs, vines, a fly carrot… it keeps the mechanic fresh every single time, even the times it’s totally optional for progression.
7. It’s remarkable how painless the airboard segments are here. JJ2 levels rarely feature a lot of flying, and when they do, you can see the level makers trying hard to figure out how to possibly make the experience difficult… spike balls, maybe? Either that or they’re there to let the player navigate an earlier area and escape from it, like in the previous level. But there’s a very pragmatic (and JJ1-like) approach shown with the airboards here: they’re just one more tool that a level can have for a little bit, with no need to be incredibly difficult, and then the level can move on to something else. It’s an interesting contrast from the levels earlier in the episode with stronger divisions among sections… here airboards appear twice, and there are a couple sections with the big tubes as well. Most things are still pretty unique here, like the swinging platforms (with the nice pickups in case you fall down), but not the airboards. I suppose it helps give an identity to a level with a more bizarre/abstract tileset and somewhat less visual variation.
8. The doors after the trigger crates get my attention. I can think of two ways this level could have been created wrong: make the player backtrack through each of the four missions after hitting the crate, or make the player go through each door without hitting a crate at all. The former would have wasted a lot of time with repetitive/less fun challenges, and the latter would have lessened the sense of accomplishment from beating each mission. The combination of crate, then immediate warp, solves each problem elegantly.

If it’s not clear, I like this episode. It’s not perfect—there are times it’s a little too obvious the level layouts are just filling available space, often with straight lines, rather than obeying any higher principles, for example, and the switch between small platforms and indoor tunnels is a little too repetitive across multiple levels—but there’s a lot of good stuff here across multiple tilesets, and the difficulty is always kept reasonable and moderated by generous supplies of pickups. All levels feel like they’re of similar length and don’t drag on for too long. New gimmicks and challenges keep being presented throughout. The graphics are always functional and appropriate and rarely obscure the player’s vision. It’s a good time.

Refuges from that familiar school of level design that places a new thing every few tiles and doesn’t worry about petty things like “overall layout” or “dead ends.” Raven Pride is comparatively normal, despite managing to be both incredibly platformy and also incredibly cramped, but the other three go wild with tubes, vines, weird shapes, and everything else. It’s a style that can only possibly work in battle but can be a lot of fun to mess around in. Sometimes it’s a little hard to see what’s going on, and the layouts aren’t always quite as conducive to exploring as you might expect, but in general sometimes it’s just nice to play around in something where you can’t predict the rest of the layout based on sound level design principles. Get a lot of players together and chase each other around the weirdly shaped blocks.

The visuals and music make unforgettable a map that would still be a welcome moment of gameplay innovation even without their help. Some of the dark pink is a little too bright though, and the bomb could respawn a bit faster imo?? but like overall this is good, good job, get punched.

The density of cool tricks per square inch of level here is out of control! Deeply copter-ear-phobic, of course, but a cool ride. The QoB theming is cute but not enough to derail the gameplay (although the underscore is bad for typing the filename in the server menu), and Mez01 gets to look good and not empty. Platform above RFs maybe unnecessary.

It’s hard to find things to say about single-screen levels! This looks like it has the right sorts of layout opportunities for melee attacks. The fruit are slow enough I don’t know anyone will get 100 of them before everyone is dead, with so few ways to hide. The colors aren’t too common and they look very nice together. Hooray for waterfalls.

For the most part, these are less full-fledged test levels and more ideas, suggestions, hey what if test levels tried doing this too? And viewed that way they’re pretty interesting. The timing required can be incredibly finnicky to the point of feeling random—I could never climb the fencer tower without setting off two at once—and there are lots of moments that would work much better with some scripting, e.g. to keep me from dying, or to restore Uterus’ spike balls, or to get around the need for all those smoke rings. But if you abstract away from the implementation, with its bare-bones graphics and its empty win areas, and think about the ideas being presented, then sure. Maybe some test levels could benefit from things to stomp (that don’t lock up the camera after a while), or some of the other funny tricks that are presented here, albeit preferably with a little more forgiveness.

I’m always wary of WBRG levels because they run the risk of being brightly colored monstrosities where I can’t tell my rabbit from the sky, but the simple measures of diminished lighting and a translucent black background layer work wonders here. This does, though, reduce the number of available layers to the point that all the chains move at 1/1 speed, and frequently confuse me into thinking they’re vines. Oh well.

CTF levels tend to be pretty horizontal, what with there being one base on the left and one on the right and all that, so it’s neat to see such a vertical focus here. Lots of chimneys break up the larger platforms, mostly with blue or green springs at the bottoms, so you spend a lot of time bouncing or falling around. That provides a lot of opportunities for taking opponents by surprise as you suddenly enter their field of vision from above or below. It might be nice if there were a toaster powerup for spraying wildly around you as you bounce. The very-hard-to-reach seeker powerup in the middle is seemingly the only use for the electroblaster ammo—nothing else in the layout obviously invites its use—but this doesn’t actually strike me as the most seeker-encouraging level.

Sadly, a lot of little bits do kind of bother me. There’s an unfortunate masking issue at 106,42 that messes with the usefulness of the nearby spring. Some sucker tubes and alcoves don’t make obvious layout sense to me. There’s some weird layer 3 usage near the right base. But there’s a fair bit to like here as a CTF level that doesn’t just paint by numbers.

While the tileset use is, as ever, detailed and competent, I don’t really see the reason for making almost the same layout so many different times from scratch. I suppose I encourage the gameplay experimentation—give flagholders much less room to hide in—but worry the recommended maximum of 10 players is probably much too high.

One thing the official JJ2 releases did that didn’t catch on too much in fanmade levels is creating multiplayer levels to accompany single player levels. All the different commercial JJ2 releases included multiplayer levels, some of them better remembered than others, but only a handful of fanmade single player packs—e.g. Rabbit Honor Guard, Lost World—have done the same.

So, it’s nice to see a CTF version of Snowball Valley.

CandionV, which this is ostensibly based on, has always been an incredibly garish tileset, but Frosted Peaks plunges deep into the soft blues and grays area of the color spectrum and never leaves, with just enough contrast between ground and background to make clear what is solid. A lovely static aurora in the background adds a little bit of green but is rarely very visible, as layers upon layers of trees and mountains fill the distance lower down. This should serve to make it easy for the player to know where they are (at least vertically), though the different layers all look similar enough in their color distribution that this effect is somewhat muted.

What’s especially interesting about the gameplay is the focus on weapons that shoot downwards, with both bouncer (powerup)s and rollers included. The layout also goes out of its way to support them: not only are there lots of platforms hanging above the main structures of the level, the CTF base areas also invite downward weapons through the bridges that otherwise serve as ways for flagholders to escape. But these guns, which have perhaps the most utility when fired from the top of the level, are found mostly at the bottom. So a player who takes the time to explore and gather resources from multiple areas in the level should have the advantage over a player who spawns and immediately runs back into battle around the bases or carrots.

In general there are a lot of clever details here, both visual and mechanical. Waterfalls are frozen in place and don’t use animated tiles. The thin Stonar platforms are everywhere and make navigation more interesting, and the constant poles surrounding them make them feel that much more integral to the level as a whole. The slide events will probably have minimal effects on competitive gameplay but they’re nice to have anyway. It’s good.

The overwhelming impression I get from this level is huge. It’s rare to be in a spot where ceilings are a concern: instead, the planes of the outside areas are separated by a significant vertical space, and the inside area has a lot of tall, open halls. Even some of the horizontals feel a bit stretched out, suggesting a level that’s trying to accommodate a larger number of players without significantly modifying the layout principles of a smaller map. The outsides are especially empty in this regard: all that height, and yet only two floors, each made up of one-tile-thin wooden platforms. There’s a lot more substance in the center, though, to be fair.

What I do quite like is the commitment to being a Pit Level and not just a level that happens to have a pit somewhere. The use of orange leaves around the edges to indicate “this is where it’s unsafe to fall” is quite welcome, and also there’s a bunch of ice ammo (even a powerup!) near the bottom, to make it easier to get your opponents to fall in. I’m not sure without playtesting how likely people are to be in the bottom corners, though the presence of copters and carrots should help… on the other hand, there are other carrots elsewhere… dunno. But it’s a solid design decision.

The graphics are generally pretty solid and it’s mostly easy to tell walls from background, though the thin branches do have some trouble standing out. I’m unsure about the rampant bright orange and green, however. It’s distinctive but maybe not actually pleasant to look at?